AJOKA THEATRE
A THEATRE FOR SOCIAL CHANGE

Ajoka has been part of the struggle for a secular, democratic just, humane and egalitarian Pakistan for the last 25 years. Few cultural institutions have been able to thrive, even survive, in the climate of hostility and apathy towards performing arts that has existed in Pakistan. Ajoka is an exception. Set up by a small group of cultural activists in 1983, during General Zia-ul-Haq's politically and culturally repressive regime, Ajoka has struggled with determination against very heavy odds. All governments have been disinterested, if not antagonistic towards socially meaningful art. Conservative elements have been opposed to the very idea of theatre and the corporate sector has not played its role in promoting art and culture. But the commitment of the volunteer members of Ajoka and its audience has enabled the group to overcome all hurdles. It has not only survived despite the absence of financial support from the private or public sector, it has in fact grown from strength to strength. It has dealt with bold subjects, experimented with technique and blended contemporary reality with traditional form. Today Ajoka is an internationally respected name in the world of theatre and its contribution to the promotion of art and culture and the struggle for social justice and peace in Pakistan is well regarded..

AJOKA and PEACE

Ajoka has been committed to the ideals of peace and tolerance, within Pakistan and in the region. Ajoka has collaborated with theatre activists from other countries of South Asia particularly from India & Bangladesh, even in times when any contact across the border was considered treason. The first play performed by Ajoka, "JALOOS" was written by the veteran India revolutionary playwright Badal Sircar. Ajoka has worked with the (late) Safdar Hashmi, Anuradha Kapoor, Ratti Bartholomew, Kamla Bhasin and Kewal Dhaliwal. Ajoka first performed in India in 1989 when "ITT1 was staged in Delhi. The plays which have performed in India since include "K.ALA MEDA BHES" (in Delhi, Kolkatta and Chandigarh in 1997), "AIK THEE NANI (in Delhi in 1999 & 2003 and Bombay in 2004), "DUKHINI (in Delhi, Chandigarh and Kolkatta in 2000) and "BORDER-BORDER" (in Chandigarh and Amritsar , in 2001 and 2005 respectively). In Nov. 2003, "BULLHA" was first performed in several cities of Indian Punjab including Amritsar, Patiala, Ludhiana, Jalandhar, Chandigarh and Jammu.

OBJECTIVES

To do socially-meaningful theatre and thus contribute to the struggle for a secular, humane, just and egalitarian society in Pakistan.To promote theatre in Pakistan by blending traditional theatre forms with modern techniques and to provide entertainment which has a social relevance.


ORIGIN

Ajoka, which pioneered the theatre movement in Pakistan, was set up in 1983 by a group of young people led by Madeeha Gauhar, a TV actress and theatre director. Ajoka's first play, Badal Sarkar's "Jaloos", was performed in Lahore in 1984, in a house lawn in defiance of the strict censorship laws. Since then Ajoka has been continuously performing socially-meaningful plays within Pakistan and abroad. It has now over two dozen original plays and several adaptations in it's repertoire. Organization Ajoka Theatre is a non-profit making non-commercial voluntary democratic organization. It's members come from varied class and social backgrounds.
Ajoka is financially independent. It has also worked on theatre projects with like-minded national and international NGOs, for which expenses are shared.

OUTREACH

Ajoka attaches great importance to developing contacts with theatre groups in other countries, particularly in Asia. It has long-standing relations with theatre groups in India, Bangladesh, Nepal, Sri-Lanka, the Philippines and has worked on joint productions with several groups of these countries and the International Drama and Education Association (IDEA). Within Pakistan Ajoka has worked with NGOs such as the Human Rights Commission of Pakistan, the Family Planning Association of Pakistan, the WWF, the Goethe Institute, the Heinrich-Boll Foundation, the War Against Rape and the Alhamra Arts Council. It has a special relationship with the women's movement and a large number of Ajoka plays have addressed the gender issue.